Showing posts with label vimal. Show all posts
Showing posts with label vimal. Show all posts

Tuesday, July 9, 2013

Two Line Reviews - #477

Movie: Moondru Per, Moondru Kaadhal (Thamizh, 2013)

Plot: In Ooty,a guy loves a girl who he helps get a job in his father's firm. He finds it tough to restrain even when he comes to know she is engaged to be married to someone else. In Tuticorin, a girl falls in love with a man who corrects things in her family and works with all his heart for a social cause but fails to evoke any response from him. In Chennai, an aspiring Olympic swimmer wannabe and her coach are madly in love with each other and a calamitous accident puts their joint olympic dreams in jeopardy. The film compares how different and contrasting love can be!

What Works?
  • When it comes to a Vasanth film, dialogues will be a major highlight and this one has its set of them; Most of them scattered among the 3 stories.
  • The idea is quite novel (novel like too, like in many Vasanth films) and the subtle way of pointing out distinct differences across the stories is intelligent.
  • Yuvan's songs are marvelous (Aaha Kaadhal, Kaadhal Endhan Kaadhal, Unakkaagave etc.) but all haven't been aptly placed in the film and that sort of brings its effect down. On a lighter note, Yuvan could have sung the line 'Touched by an angel' a lot better :)
  • The camerawork goes around with the characters and in not trying to be showman-like, it works!
  • Cheran, Arjun have done delightfully well. So have their partners.
What Doesn't?
  • 'Half-baked' is the first term that comes to mind thinking of all the stories. Vimal's portion lacks purpose; Cheran's lacks Love & Arjun's lacks conviction & the climax tying things is a dampener.
Vasanth doesn't exactly weave his magic this time around!

Wednesday, October 12, 2011

Two Line Reviews - #291


Movie: Vaagai Sooda Vaa (Thamizh,2011)



Plot: Set in the 1960s, the film focuses on a govt. job aspirant playing the role of an educator at an absolutely illiterate brickmaking village. Initially he stays there for the job-to-come by virtue of his stay but as he stays longer, he sees the importance of educating the children there thanks to the shaking of his conscience by the wisdom of a mysterious old man. Love blossoms and so does the prowess of the villagers in arguing against the looting landlord. Throwing away his aspirations, He stays there for good to complete the reform that he started.

Highlights:

  • The director, Sargunam after a slick rural entertainer in Kalavaani goes a bit different with a film that sends a strong message on child labour but the fun quotient is not sacrificed. He is quite successful in coming out with a likable end-product.
  • The music (many songs & the background score) was surprisingly so good given that a debutant had made the compositions. So is the photography. For this simple reason of identifying and using nice talent, the director is one to look-out for in the future.
  • Vimal shows that he is an able performer; The new heroine with her strange accent and 'village-beautygirl' looks does a fine job (except for those exaggerated expressions in songs!); The kids, Bhagyaraj & Thambi Ramiah fit in some nice cameo roles.

Lowlights:

  • Poor placement of songs at times harps the interest in the film.
  • The hero gets in the reform act a bit too late, after 80-90 mins into the film.

A valiant praise-worthy attempt..