Showing posts with label oscar. Show all posts
Showing posts with label oscar. Show all posts

Monday, September 8, 2014

Two Line Reviews - #494

Movie: Dallas Buyers Club (2013)

Plot: An electrician in Dallas is diagnosed with HIV and is given an expected lifetime of 30 more days. They try to lure him into making him join the candidates for testing an HIV antivirus AZT which he later comes to know to be a counter-productive drug through an unorthodox Mexican doctor. He gets treated by the doctor for some days & tries to stealthily carry the medicines across the border to set up a Buyers club and gradually, in partnership with a fellow HIV patient, gets relentless in stepping up the revolution against the state & FDA’s exploitation of patients through their administering AZT for business reasons.

What Works?
  • The film creates a deep emotional connect with the viewer thanks to the direction of Jean-Marc VallĂ©e & the infectious screenplay of Craig Borten & Melisa Wallack. We are initially made to believe the protagonist to be a junkie but his character is built cohesively over the course of the film and that makes us feel for him later on.
  • Matthew McConaughey comes up with the performance of a lifetime as Ron Woodroof. In the way he has transformed his physical self to get a HIV patient on screen & in the way he presents his agony, his lack of belief in the American healthcare system, his resolve & confidence as a businessman who dares to go against the FDA, he shines making his Best Actor Academy award so much deserving
  • Jared Leto, in a completely different role from what his reputation would make him seem, comes up with a great show! The scenes involving him & McConaughey – when McConaughey snides him for what he is are comical crackers and later, when he respects, protects him & feels for him are emotionally hard-hitting
  • The film’s editing & dialogues deserve a special mention. It is quite challenging to present stuff when different types of events happen around the protagonist but the slick & seamless editing of Martin Pensa takes care of overcoming that challenge
  • The camerawork suits the film’s theme and pace & so do the non-chaotic soundtracks. The friends & the doctor who doesn’t shy away from asking her bosses the tough questions are practically sketched and add to the authenticity of the presentation
  • The climax stands out & the note at the end of the film is inspiring given what is shown is based on a true story
What Doesn't?
  • More than being a negative, this is a guidance warning. A film that deals with a HIV patient cannot be without a few scenes to show us why he got it. This one too has a few
Verdict:
With a good mix of comedy & emotions and performances of a lifetime from two of its lead actors, the film has everything in it to be an inspiring tale of how a man on his death bed fought against a wrong system.

In a Nutshell - An AIDS patient says Fuck you death!

Sunday, February 27, 2011

My Academy Awards Wishlist

My Oscar 2011 wishlist!*

Best Movie: Black Swan
127 Hours was inspiring; so was The Fighter; True Grit was good too. But the real contenders are Black Swan & Inception for the sheer fascination they provide. Black Swan beats Inception by a small margin & I ve picked it over Inception just based on an instinct.

Best Director: Christopher Nolan for Inception
Here again the contenders are Chris Nolan, Darren Aronofsky & for his brilliant tweaking & interesting presentation of a true story Danny Boyle joins the list. Considering Boyle already got his due in 2009 and for all the splendid works of the other two in their past, the toss-up is between Aronofsky & Nolan and I would like to see Nolan win it here.

Best Actor: Colin Firth for The King's Speech
Everybody around says Eisenberg did awesomely in The Social Network but to me, it wasn't an extraordinary work that deserves an Oscar. It is the stammering & complex-ridden King-to-be who deserves the statuette for his awesome & subtle portrayal in The King's Speech. James Franco's essayal of Aron Ralston in 127 Hours isn't far behind though.

Best Actress: Natalie Portman for Black Swan
No second thoughts. One must watch the film to understand why. Period.

Best Supporting Actor: Christian Bale for The Fighter
His was a lovable role in the film & he made it extremely lovable with his silly pranks, hyperactive reactions & a shocking makeover from his usual brawny self. The other contenders who he has pipped are Andrew Garfield of The Social Network & Geoffrey Rush of The King's Speech. They were good in their own rights but when I ve got to choose one, I would choose Bale.

Best Supporting Actress: Hailee Steinfeld for True Grit
Even though Helena Carter's pillar-like support for her husband in The King's Speech was pleasing, it is Hailee Steinfeld's resolve in bringing the killer of her father down in True Grit that tilts the table in her favour & the young talent gets some brownie points for her age too!

Best Cinematography: Guy from 127 Hours
The weird shots of the grand canyon; sudden tranisition to handycams & a single-tone employed for the entire film make the work stand unique. Alas, it hasn't even been nominated. Who cares! This is my wishlist!

Best Artwork: Guys from Inception
Structures turned 90 degrees; Stairs ended mid-air; Trains sped through speedways & there was a snow-clad building in a skiing mountain. If these weren't enough to fetch this for Inception, think about the huge building projections by the sea in the limbo!

Best Original Score: A.R.Rahman for 127 Hours
If there is one film among the ones in contention where the music creates the desired effect, provides an apt canopy for the canvas on screen it is 127 Hours. I am not sure if I am saying this for Rahman but I am saying this. Liberation, Acid Darbari, Touch of the Sun & Festival all express the exact feelings that the trapped man would have wanted to express. The cherry on the cake is If I Rise accompanied by the hallucinations.

Best Original Song: A.R. Rahman & Dido for If I Rise , 127 Hours
I haven't listened to songs from other nominations but 'If I Rise' deserves the Oscar as a triumph of the relatively unknown but mesmerising instrument that Harpejji is. I know it is nearly impossible but it would be great if Rahman can do the 'double whammy' for a second time!

* - I have prepared the wishlist only for categories I feel I can assess & choose the winner from.