Vivegam, Ajith's third outing with Siva - who proclaims it to be an 'international spy thriller' & a first of sorts in this genre for Kollywood (I don't know what Vishwaroopam is then?!) - released to much fanfare today. Is it what it was said it is going to be?
The film opens with Ajay Kumar (AK) thwarting an immensely guarded illegal weapons deal & escaping from a huge chasing group. He is then being hunted by a consortium of world's secret agencies and it appears they figure he was one among them and was suspected to have been dead. The flashback unfolds with AK & his team of 5 thick friends going about their business of killing the world's deadliest baddies and focuses on a single mission where they try to get hold of the decryption code to stop some artificial earthquake setting bomb blasts. When AK gets close to target, he understands he is sabotaged. How he hunts down his betrayers with rage forms the latter part of the story.
There is nothing new in terms of the story that you just read but the age-old cat & mouse game is staged on a scale and setup that is not very common for Tamil films and the screenplay (by Siva aided sizably by Kabilan Vairamuthu) has its geeky & intense moments that all integrate well to present some finely conceived action blocks choreographed well by Kaloyan & performed admirably by Ajith. The sequences in Serbia where AK chases a hacker Natasha (played by Akshara Haasan) is easily the film's best portion and given the impression the build up and the single sequence her role features in creates, it would have been great if the character had accompanied the lead a little longer. Amidst all the chaos, the husband-wife angle & how the relationship complements the pair is brought forth well (a little over the top at times) and Kajal Aggarwal (who plays AK's lovely pair Yazhini) gets a role better than many of the ones she must have played before.
The friend-turns-foe twist in the interval is hugely cliched (especially for an Ajith film & takes us to a totally similar sequence in Aasal) and brings down the tempo post interval. The latter part of the film is a mixed bag with a couple of adrenaline pumping sequences (the comeback song Thalai Viduthalai & a sniper sequence in the middle of traffic) and a couple of real duds (the scene where AKsaves his lady love from trained weapon-wielding villains from a building afar!). The pre-climax involving Ajith & Vivek Oberoi (who plays Aryan - the leader of the betraying friends' pack) resurrects the film's intensity with some interesting 'who-can-think-what-the-other-is-upto-faster' game but a pedestrian climax with the wife having so much confidence in the abilities of her husband that she begins singing a song as he is in the edge of a life/death fist-fight battle doesn't let it soar.
The technical aspects of this ambitiously set film are top-notch with Vetri's camerawork reminding us of some of the famous hollywood action blockbusters, the art-work by Milan recreating multiple geeky-setups, non-shoddy VFX which amalgamates seamlessly with the real stunts and Ruben's work at the edit table right-sizing all of the action blocks so they retain their intensity. Each of the teams that have worked technically for the film can boast of Vivegam being a marquee work in their careers.
In all, Vivegam ends up being a film that doesn't have new things in terms of what it presents but the moments that make up how the what is presented takes it a little beyond the archetypal star outing that is attempted to appease a certain fan-base.
Age-old story but Actions aplenty!
There is nothing new in terms of the story that you just read but the age-old cat & mouse game is staged on a scale and setup that is not very common for Tamil films and the screenplay (by Siva aided sizably by Kabilan Vairamuthu) has its geeky & intense moments that all integrate well to present some finely conceived action blocks choreographed well by Kaloyan & performed admirably by Ajith. The sequences in Serbia where AK chases a hacker Natasha (played by Akshara Haasan) is easily the film's best portion and given the impression the build up and the single sequence her role features in creates, it would have been great if the character had accompanied the lead a little longer. Amidst all the chaos, the husband-wife angle & how the relationship complements the pair is brought forth well (a little over the top at times) and Kajal Aggarwal (who plays AK's lovely pair Yazhini) gets a role better than many of the ones she must have played before.
The friend-turns-foe twist in the interval is hugely cliched (especially for an Ajith film & takes us to a totally similar sequence in Aasal) and brings down the tempo post interval. The latter part of the film is a mixed bag with a couple of adrenaline pumping sequences (the comeback song Thalai Viduthalai & a sniper sequence in the middle of traffic) and a couple of real duds (the scene where AKsaves his lady love from trained weapon-wielding villains from a building afar!). The pre-climax involving Ajith & Vivek Oberoi (who plays Aryan - the leader of the betraying friends' pack) resurrects the film's intensity with some interesting 'who-can-think-what-the-other-is-upto-faster' game but a pedestrian climax with the wife having so much confidence in the abilities of her husband that she begins singing a song as he is in the edge of a life/death fist-fight battle doesn't let it soar.
The technical aspects of this ambitiously set film are top-notch with Vetri's camerawork reminding us of some of the famous hollywood action blockbusters, the art-work by Milan recreating multiple geeky-setups, non-shoddy VFX which amalgamates seamlessly with the real stunts and Ruben's work at the edit table right-sizing all of the action blocks so they retain their intensity. Each of the teams that have worked technically for the film can boast of Vivegam being a marquee work in their careers.
In all, Vivegam ends up being a film that doesn't have new things in terms of what it presents but the moments that make up how the what is presented takes it a little beyond the archetypal star outing that is attempted to appease a certain fan-base.
Age-old story but Actions aplenty!
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